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The Tribal Mind: The URST jump of your dreams

by David Dale
If you're a writer for television, there are three cardinal sins you commit at grave risk to your career: 1) you make your series jump the shark; 2) you resort to the dream excuse; and 3) you burst the URST (where URST stands for UnResolved Sexual Tension).

evangelinelilly.jpg All three sins have been committed in the TV season which finishes next week (the season's end traditionally being marked by the final episode of Desperate Housewives). And this year a fourth writers' sin joined the list: giving your show a Melanoma Moment.

Jumping the shark means introducing a desperate gimmick to bring audiences back to a series that is likely to be axed -- as in, getting Fonzie to put on water skis and leap over a finny fish in a 1977 episode of Happy Days. A classic example is when the writers let off a bomb where the main characters are gathered, leaving viewers wondering who will survive to next season (a trick pioneered in 1974 by Number 96, already famous for its gay kiss and bare breasts). Last month, in the season final of Lost, an atomic bomb went off on the island, potentially altering history and killing half the characters. Perhaps they'll get out of it next season by saying "It was just Kate's dream - all the time travelling never happened and we're still stuck in 2005".

housies.jpg The most outrageous example of this trick happened in the 1980s series Dallas. A character called Bobby Ewing was killed off at the end of one season and brought back a year later with the explanation that the entire season had been a nightmare of his sweetheart Pam, who had apparently slept for 31 episodes.

No writers would have the nerve to do that again, would they? Well it happened in the final episode of the US version of Life On Mars last month. We thought the detective had been mysteriously shifted from the year 2008 to the year 1973 but it turned out he was an astronaut dreaming it all in suspended animation betwen earth and Mars in the year 2038. That was excusable given the series had been cancelled and the writers had to come up with a fast and final explanation.

There's no such excuse for the writers of House. In the latest season final, they too dragged out the old dream routine, except they didn't call it a dream, they called it a hallucination. No doubt their excuse was that it saved them from committing sin number three - bursting the URST.

For the last two seasons, House has been losing viewers, because it became repetitive. The only thing going for it has been the unresolved sexual tension between Greg House and his boss Lisa Cuddy.

piper.jpg URST has been a plot engine for many hits --
David and Maddie in Moonlighting
Laura and Diver Dan in SeaChange
Booth and Brennan in Bones
Niles and Daphne in Frasier
Elizabeth and Mr Darcy in Pride and Prejudice
the Doctor and Rose in Doctor Who
John and Cameron in Terminator: The Sarah Connor Chronicles
Fran and Mr Sheffield in The Nanny
Blair and Chuck in Gossip Girl
Josh and Donna in The West Wing.
(Go to Comments to nominate other examples).

At a certain point in any series, the writers get bored with characters flirting and fighting, and put them in bed together, ending the suspense. The most notorious URST-burst happened in Lois and Clark in 1996. Joining the title characters killed not only the series but the careers of the lead actors. Teri Hatcher, who played Lois Lane, took nine years to find fame again (in Desperate Housewives). Dean Cain, who played Clark Kent, never has.

Clearly the House writers didn't want that fate, so they showed their hero seeming to get together with Cuddy, but ended the episode with him being admitted to a mental hospital for having imagined the whole thing. They didn't burst the URST, but they did draw on the dream, and in the process, they jumped the shark.

And we've run out of space to discuss the melanoma moment. Go to Comments to anticipate next week's discussion.

David Dale is the author of Who We Are -- A snapshot of Australia today (Allen and Unwin). For daily updates on Australian attitudes, bookmark http://blogs.sunherald.com.au/whoweare.

COMMENTS

TM, speaking of The Melanoma Moment, do you have an opinion on the use of blind people on dancing programmes? I'm trying to whip up some moral outrage but it's not working. If I can't get Moral Outrage I'll settle for "oooooh, warms the cockles of yer heart don' it?". Very closely related those two things.

  • by darren on June 19, 2009 at 03:34 PM

May I propose "shock series renewal" or "refuse to die" as a category? There have been 2 notable examples of this in recent times:

Scrubs: just finished screening here after being treated cruelly by Ch 7, with an awesome finale. Or was it? The series has apparently been renewed with the bare bones of the ensemble from the previous episodes, as many have tired of the concept (J.D.) or moved onto new series (The Janitor). Many agree that the network move from NBC to ABC would see it out its last season, but it gained a "shock series renewal".

My other example is Seventh Heaven. Something that should have been put out of our collective misery, but because in the US the good wholesome programming gibbons are obviously worried about the moral decay of society, the series was resurrected for one last season 3 days (ironic) after it's be all and end all finale screened. This one is listed under "refuse to die"

  • by Bereft Skerrick on June 20, 2009 at 02:15 PM

When reading your article I thought you were referring to Grey's Anatomy. I am just watching this to the end of this series and then giving it away. It has well and truly jumped the shark.

  • by Neil on June 21, 2009 at 06:37 AM

Nice article TM, excellent examples of each style of show fatigue. Although not many of the Tribal Mind followers would remember Bobby & Pam Ewing.
But what about the opposite of this not knowing when to say goodbye??? The greatest example of this would have to be Fawlty Towers 12 (?) shows only, yet those shows have been repeated 100's of times since. The only other show I can think of is M*A*S*H, I don't think it ever fell into any of the syndromes, but still knew when to end. Maybe it was just the fickle finger of fate??

  • by PJ453 on June 21, 2009 at 09:26 AM

Another spot on column from David Dale.
Re The comment about the blind dancer on "Dancing with the Stars". Next we'll have blind chefs and deaf musicians.It makes as much sense as having five foot tall police women. A pygmy might know the law of the jungle, but that doesn't make him stupid enough to tackle a stampeding buffalo

  • by David Johnston on June 21, 2009 at 12:34 PM

No gay/lesbian URST? Merlin/Arthur? Xena/Gabrielle? Clark/Lex?
And my favourite show: Scully/Mulder. Phwoar, red speedos and a smart woman.
It's mainly the British shows that I think of when I think of shows that ended appropriately and within their Best Before limits: Blackadder, Life on Mars, Yes, Minister (and Yes, Prime Minister), all the excellent bonnet dramas (possibly because the original authors were sensible; even Dickens wrapped up his novels eventually), many mini-series, etc.
PJ453, I think M*A*S*H did rather overstay its welcome. Not too much, and it did end well, but it was getting cheesy towards the end.

  • by tqd on June 21, 2009 at 04:35 PM

Nice theory about 'House' ie: making it an 'hallucination' to restore the URST.
Maybe a similar but thing created the Melanoma Moment ie: 'Grey's Anatomy' lost all it's URST years ago because everyone has slept with everyone else and they've already done 'Lesbians' and 'Will they survive (the 'Pink Mist' episode ...or was it called 'Code Black'?)?' so the only recourse is 'Possible Terminal Illness' aka 'The Melanoma Moment'.
Yes it is all about the URST.
There seems to be a family-tree-like graph one could do here.
Oh and Mel and Kochie? That's not quite what we're talking about is it? Or....is...it...?

  • by darren on June 22, 2009 at 06:33 AM

Bursting the URST? Man, that is gold. Oh, the mental image!
Re the URST, I think the problem is not technically getting couples together: it's the fact that TV writers do not know how to write relationships.
Lois and Clark is the classic example. The problem was not them getting together; it's the fact that being in a relationship apparently caused their IQ levels to drop 100 points and resulted in two entire seasons of tiresome suprisingly-emo conversations about their feelings (surprising for the times; this was pre-emo).
There have been cases where it's done well, however. B'Elanna and Tom Paris in Voyager is a good example.

  • by genfie on June 22, 2009 at 11:06 AM

Besides Laura & Diver Dan on Seachange, what about the other Aussie ones? These had us hanging on with the URST:
Maggie Doyle & PJ Hasham - Blue Heelers
Mitch Stevens & Terri Sullivan - All Saints
Simon Bowen & Vicky Dean - A Country Practice
Danni Francis & Mike Georgiou- Cop Shop
Tania Livingstone & Tony Garcia - The Young Doctors
Harold Bishop & Lou Carpenter - Neighbours.
Just joking about that last one, but it was a bit of a joke on forums and on the show itself. Interesting to note that the soapies had more ethnic characters and mixed relationships in the 70s, 80s, & 90s than they do these days. PJ Hasham (Lebanese), Mike Georgiou (Greek) Tony Garcia (Spanish).

  • by J Bar on June 22, 2009 at 12:37 PM

So what about the dying words uttered by Jacob in the room under the statue in the final episode of "Lost" after Ben and Locke (or is it Locke... Oooo) confront him. "They're coming", he tells Locke (or is it an entity that looks like Locke!), as if the atomic explosion set off by Juliet, who manages to survive a massive fall and have enough energy to bash the percussion caqp of the nuke until it goes BOOM!! is the event that will "usher their coming forth" in the final series of the Lost saga.
C'mon: this is all about making money and keeping jobs.
If it wasn't for dream sequences and shark jumping and melanoma moments or any other wittily worded or crafted lampoon of the devices TV show writers use in order to extract "that little bit more" from a creation that is as subject to the market place as any other product of the modern world, we'd all be whining about the lack of content on our giggle boxes.
It's entertainment after all. Sure some of it is about as entertaining as self flagellation, but there's certainly a lot of happy flagellators out there if DD's ratings lists are anything to go by.
I always figured that if a show tested my intelligence or patience to breaking point or beyond, that I could take a wander in the real world - after which, I'd be much more prepared to put up with any fantasy that a company of writers, producers, directors, camera operators, actors, make-up artists, costume designers and makers, musicians, composers and the various sundry trades people and professionals are able to churn out.
Do other industries we rely on these days cop as much flack as the entertainment industry? Certainly doesn't seem to be as much press devoted to the other industries we rely on for income these days as there is in parodying, criticising in a negative way or generally dissing the entertainment industry...

  • by Steve C on June 22, 2009 at 12:57 PM

I know this doesn't exactly fit into the topic, but the talk of URST reminded me of that great Seinfeld storyline where George finally was getting married, only for his wife to be poisoned whilst licking the envelopes for the wedding invitations. Maybe a potential shark-jumping avoided by a twist of fate. On the subject of Seinfeld, I think that show ended on a high - he pulled the plug before "jumping".

  • by Jill on June 22, 2009 at 01:46 PM

One of TV's best URST has to be Mulder and Scully from X Files. This pretty much ended when they finally kissed and then had a baby together ,which was never really made clear as to how that happened (I know the usual way , but was it, as the baby seemed to be part alien and had special powers or something).
Sounds pretty silly now but it fit in with the show. Of course, that pretty much ended X Files and then Ducovny left and Chris Carter tried to make it work without him casting a Terminator (Robert Patrick?) as Scully's new partner but the show really didn't have the same feel without the URST that Mulder and Scully had.
I also think that both House and GA's have well and truly had their day. Put them out of their misery I say. It really is quite sad to see good shows becoming crap because networks and producers try and milk every last cent they can out of it and in the process destroy the public's image of them. Instead of remembering a show as being great, you remember it as being boring or silly.

  • by em on June 22, 2009 at 03:05 PM

In response to tqd, I'd have to agree re the X Files. Has ever a greater show fallen so badly in its last 3 seasons? I'd have to say it "jumped the sharked" with the spaceship/insane asylum episode at the end of Season 6 and then anti-climactically burst the URST in season 8. What a come down from the first 5 seasons of brilliance.

  • by genfie on June 23, 2009 at 07:56 AM

So how does Ghost Whisperer rate as far as "cardinal sins" committed? Surely it's a show that has exhausted; perhaps even exceeded, it's quota of "cardinal sins" and still miraculously - like Jennifer Love Hewitt, manages to resurrect itself for another season.

  • by Steve C on June 24, 2009 at 10:53 PM

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