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To predict the success of Australia (the movie), go to The Tribal Mind.
A column about Australia by David Dale, published in The Sun-Herald, 19/10/2008
The other day Kevin Rudd quoted the phrase "Tell 'em they're dreamin' " in response to a demand from State Governments for some extra billions in funding. He graciously attributed the line to that fine Australian film The Castle, but he should go further. The line earned him a sound bite on ABC radio, so he really ought to send a cheque for $4 to Jane Kennedy, Rob Sitch, Santo Cilauro, and Tom Gleisner, who created it.
In the same way, all those headline writers who keep playing on the phrase "That's not a knife, THAT'S a knife" should be sending $7 to John Cornell, Paul Hogan and Ken Shadie, the writers of Crocodile Dundee, and those who repeat "It's noice, it's different, it's unusual" should send $6 each time to Gina Riley and Jane Turner, creators of Kath and Kim.
That would be the principle established by the current legal action against Colin Hay and Ron Strykert, the writers of the song Down Under (about the land where women glow and men chunder). Partway through the flute solo that appears in the middle of the recording, the composers quote the tune of a much older icon called Kookaburra Sits In The Old Gum Tree. I've always regarded that flute passage as a witty homage to an Aussie classic, reinforcing the satire on ocker stereotypes.
But the current copyright holders of Kookaburra (written in 1934 by a teacher named Marion Sinclair) argue the musical reference was a crucial element in the success of Down Under, and are seeking a share in the profits.
From now on, we all need to think about who we're ripping off when we reference Australian songs, poems, stories, and speeches, and we should start compensating the creators by putting aside a dollar a word in a kind of swear jar. Here's my starter list, to which I hope you'll add more examples:
The most quotable lines of Australian culture (and the fees you'll owe):
"There was movement at the station" ($6 to the estate of Banjo Paterson).
"Cut and come again" ($4 to the estate of Norman Lindsay, creator of The Magic Pudding).
"We don't need another hero" ($5 to Terry Britten and Graham Lyle, who wrote the theme for Mad Max: Beyond Thunderdome).
"Happy little Vegemites" ($3 to the estate of Alan Weekes, composer of the 1954 radio jingle).
"Not happy, Jan" ($3 to Deborah Kennedy, who coined the phrase when Clemenger ad agency was filming a commercial for the Yellow Pages).
"I'll rip yer bloody arms off" ($5 to Grahame Bond, co-writer of The Aunty Jack Show).
"Men and women of Australia" and "Well may we say" (total $9 to Gough Whitlam).
"Just what this country needs: a cock in a frock on a rock" ($13 to Stephan Elliott, creator of Priscilla, Queen of the Desert).
"You're terrible, Muriel" ($3 to P.J. Hogan, writer of Muriel's Wedding).
"Spreading disease with the greatest of ease" ($6 to the estate of James Joseph White, who wrote the original Louie the fly jingle).
"How embarrassment" ($2 to Mary Coustas, co-writer of Acropolis Now).
"Puck you, miss" ($3 to Chris Lilley, writer of Summer Heights High )
"Shaddup you face" ($3 to Joe Dolce).
"There's nothing so lonesome morbid or drear as ..." ($8 to the estates of Gordon Parsons, songwriter, and Dan Sheahan, poet, for Pub With No Beer)
"Most people I know think that I'm crazy" ($8 to the estate of Billy Thorpe).
To suggest more of the lines that make up Australia's cultural heritage, go to Comments
David Dale is the author of Who We Are -- A snapshot of Australia today (Allen and Unwin). To discuss Australian attitudes, go to http://blogs.sunherald.com.au/whoweare.
I'm partial to using the occaisonal "Look at moiee" (from Kath and Kim), much to the horror of my kids. (Have to admit to using "Not happy Jan" as well).
Riley & Turner didn't make up "nice, different, unusual" - women really do say that, quite unselfconsciously.
"That is so random" (Ja'mie King, another $3 to Chris Lilley, writer of Summer Heights High)
You ought to be, congratulated.
Come on Aussie, come on.
($6 each to jingle writers from Mojo)
I feel like a Tooheys, or two.
A week without the Weekly is not the same.
(Same for these but they may not have lasted the test of tiime as much)
Ripper Rita.
($3 to the ad agency that came up with that one, which was the 'Not happy Jan" of its day)
Dear David, you are the first person who has ever acknowledged my father, Alan Weekes, as the author of "Happy Little Vegemites"! I clearly remember him singing the song in the shower when I was about 10! My mother was delighted, however her royalties from APRA are pathetic and only amount to around $1000 per year. Kraft has always refused to have anything to do with Dad's authorship - suing a large American company for the rights was out of the question as you can imagine - we went into it but it was impossible. Nowadays in the advertising business if you write a song it is yours, in those days not so. Christina Stephen
"The race that stops a nation" is a poem written by Vivienne McCredie in 1986. It was read by Mrs. McCredit at a poetry night which was conducted by Kell Richards in the same year. The poem was not copyrighted until 2005 when she published her book "The race that stops the nation & other verses". It would be impossible to compute the total amount owing to Mrs McCredie over the years!!
I Still Call Australia Home (Peter Allen's estate)
It's the vibe of the thing. (The Castle)
"As seen on TV" from the wonderful, classic Australian movie, "The Castle".
"That'll do pig, that'll do". That line from "Babe" keeps popping up all over the place in pop culture and just in the last week I've heard it or variations of it on The Simpsons and the factual show The Force.
"Eight cents a day". The ructions at Radio National have this uniquely Australian phrase back in vouge,at least in the letters pages. As to copyright, David Hill would have to produce the orignal beer coaster. No fee.
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what about
"I'm a bride and I'm beautiful" $4 to PJ Hogan for Sophie Lee's line from Muriel's Wedding
"she goes, she goes she just goes"
$3 to Maryanne Fahey aka Kylie Mole